In the Press

Singapore writer-lawyer Colin Goh joins Intercultural Theatre Institute

Singaporean humourist, film-maker and lawyer Colin Goh is joining home-grown theatre academy Intercultural Theatre Institute (ITI) as its director of advancement. 

This is a new position for ITI, which turned 25 in 2025 and is on a mission to strengthen its institutional capacities. In recent years, a new team has taken over key roles in the school, including actress Koh Wan Ching as head of acting in 2023 and Justin Deimen as executive director in 2024.

Goh is best known as the founder of one of the earliest home-grown satirical websites TalkingCock.com – which led to the 2002 film Talking Cock The Movie – as well as the co-creator of the best-selling bilingual children’s book series Dim Sum Warriors. He will oversee recruitment, fund-raising and partnership engagement, as well as reporting for institutional milestones, in his new role.

The 55-year-old told The Straits Times: “I just want everyone to know just how seriously cool ITI’s intercultural performance training is. The rigorous grounding in traditional theatrical forms combined with cutting-edge text and action analysis makes ITI feel like RADA (Royal Academy of Dramatic Art) meets the Shaolin Temple, or maybe even the X-Men. There’s just so much untapped potential. I’m really thrilled I can be part of this new chapter.”

ITI’s chairman Andrew Nai added in a statement that Goh’s appointment reflected ITI’s commitment to institutional stewardship. “His ability to bridge artistic practice, public discourse and strategic thinking will greatly strengthen ITI as it continues to serve artists and the wider cultural community.”

Co-founded in 2000 by late local theatre doyen Kuo Pao Kun and veteran theatre practitioner Thirunalan Sasitharan as the Theatre Training & Research Programme, ITI is dedicated to intensive Asia-centric training for theatre practitioners.

Its diploma course puts students through immersive training in four traditional Asian theatre forms, as well as contemporary Western theatre practices. This melding of East and West was a ground-breaking endeavour that has earned the school a reputation in global theatre education circles.

But ITI has also struggled over the decades with funding and housing issues.

With core members retiring or stepping back in 2025, the new team has ambitious plans to raise a $10 million endowment fund over the next five years and elevate its diploma course to a master’s degree.

— Ong Sor Fern, The Straits Times

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Intercultural Theatre Institute turns 25: New team and new plans

If turning 25 heralds a quarter-life crisis, the Intercultural Theatre Institute (ITI) is meeting the challenge head on. 

Founded in February 2000 by late theatre doyen Kuo Pao Kun and director Thirunalan Sasitharan as the Theatre Training & Research Programme (TTRP), the school has had its fair share of existential crises.  

As Mr Sasitharan says, the school’s survival has been a matter of sheer will. The 67-year-old, the public face of the school, has already stepped back from management of the curriculum and, by the end of 2026, will focus on strategy, research and “telling the ITI story”.

Core members of the founding team – general manager Goh Su Lin, director of development Josephine Tan and director of administration Hannah Tan – have either retired or are leaving. 

A new team is stepping up. Actress Koh Wan Ching, 45, was appointed head of acting in 2023 and executive director Justin Deimen, 40, who has a long track record in film producing and media financing, joined in November 2024. Mr Andrew Nai, 51, director of private equity at Aura Group, has been on the ITI board since 2022 and took over as chairman in April 2024. 

Mr Deimen and Mr Nai are focused on the administrative and financial aspects of the school, while Ms Koh, as Mr Sasitharan characterises, is “the beating heart of ITI”, overseeing its three-year training programme. 

Mr Nai wants to raise enough for a $10 million endowment fund over the next five years. With the Government’s Cultural Matching Fund, this could mean $20 million for the school, which currently runs on a shoestring budget of $2 million a year.

— The Straits Times

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Intercultural Theatre Institute (ITI): The Speakeasy of Singapore’s Theatre Education

“ITI’s vision is that of intercultural, embodied learning”, shares Koh Wan Ching. Training at ITI involves a dynamic exchange of ideas and knowledge between master teachers and students in deep experiential learning of Western Contemporary Acting and Asian Traditional Theatre forms, such as Noh Theatre from Japan, Beijing Opera from China, Wayang Wong from Indonesia and Kutiyattam from India. These immersions encourage students to explore the “unique aesthetics, dramaturgical strategies, and strict requirements” of each technique. 

- City Nomads

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Singapore’s independent arts clusters fight to lay down roots

Head of acting at ITI, Koh Wan Ching, 43, says: “You learn to let the messiness become some kind of drive to make art and experiment. A lot of the work that we do here may be experimental and may not be refined, but that’s what we want as a training ground for the students – to have a space to fail.”

Sasitharan concurs: “The cultural scene is an ecosystem of living organisms – and living organisms cannot always be engineered into efficiency.” 

- The Straits Times

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★★★☆☆ Review: RevoLOOtion by Intercultural Theatre Institute

Doom is inevitable, but perhaps we can learn how to make things less crappy.

When you think of a theatre course’s graduating show, forum theatre isn’t the first medium you might think of. But as far as showcases go, it’s a medium that provides a surprisingly large number of ways by which to challenge graduates, from quick-witted improv skills to the ability to immediately embody a character when replaying a scene.

- Bakchormeeboy 

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[Review] RevoLOOtion - Walk alone so it’s faster, or walk together so we can go further?

Directed by Li Xie, Intercultural Theatre Institute presents RevoLOOtion, an original production-cum-workshop that tackles questions of oppression, protest and community.

Coming across RevoLOOtion for the first time, you may ask yourself if this play is about a toilet. And, well, you wouldn’t be wrong. The central premise of ITI’s newest production does indeed revolve around a loo — one village’s only loo, which is under threat of being torn down by the government and on the verge of triggering a revolootion.

- Yaiza Canopoli 

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[Theatre Review] RevoLOOtion – Resolutely Seeking Alternatives

To most of us, we hardly give a second thought about lavatories because we expect them to be there. But the run on loo rolls in 2020 compels us to pause for thought. 

Perhaps this makes the urban Singaporean audiences amenable to RevoLOOtion, a showcase by the graduating cohort of the Intercultural Theatre Institute (ITI).

- Isaac Tan 

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Navarasa Sadhana: Chiseling a Complete Actor

Kutiyattam scholar G. Venu’s Navarasa Sadhana, a unique actor training methodology, that moulded numerous actors,  completes fifty workshops. 

Many years ago, Tirunalan Sasitharan, the celebrated theatre educator and co-founder of Singapore’s Intercultural Theatre Institute (ITI) happened to watch G. Venu,  the Kutiyattam scholar and performer, train a group of students at Natana Kairali, Irinjalakuda. He was awe-struck. It was Sasitharan’s first exposure to the ancient theatre form of Kutiyattam. He was fascinated by the force of the emotions which were being conveyed by the actors. He asked Venu if there was some way in which the contemporary actor could be enabled to convey the emotions in the same way. 

- India Art Review 

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[Interview] A Chat with Li Xie, director of RevoLOOtion

When I first found out about the premise of RevoLOOtion, a production presented by the graduating cohort of the Intercultural Theatre Institute (ITI), I was most intrigued by there being a workshop element which will explicitly require audience participation.

With safe distancing measures still in place, the premise seems to be intentionally going against the current. Could there be a radical re-conception of what constitutes as audience participation?

Following my interview with the cast of RevoLOOtion, I contacted the director, Li Xie, to find out more about her inspiration and process.

- Isaac Tan 

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Preview: RevoLOOtion by Intercultural Theatre Institute

This April, the newest graduating cohort of the Intercultural Theatre Institute (ITI) will perform their new devised work, RevoLOOtion, at Goodman Arts Centre Black Box.

Directed by veteran theatre practitioner Li Xie, RevoLOOtion is an original production that takes an unvarnished look at the internal conflict and oppression that exists beneath the veneer of a community.

- Bakchormeeboy 

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